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Morohaku was the clear sake of medieval Nara temples, named for using polished white rice both for the koji and for the steamed rice added to the mash. It was started with a lactic seed mash, built up in stages and pasteurised by heating, steps that became the core of later sake brewing. The steps here are a historical outline; the figures from modern practice are given as labelled facts, not as steps.
bodaimoto seed mash (water soured by lactic acid bacteria, then yeast) with koji
Start
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What changes:Both the koji rice and the main rice are polished white
Step 1 of 4
Polish both the koji rice and the mash rice (morohaku)
Time
Not documented
Temperature
Not documented
Salt
None given
Acidity
Not documented
Which microbes the steps name, step by step
Lactic acid bacteria
Yeasts
Using polished rice for both is what "morohaku" means; katahaku polished only one of them. Output: white rice for koji and for the mash.
Flavour
Not documented
Texture
Not documented
Colour
Not documented
Microbes at work in this step
Not documented for this step.
Method
Measured measured in a studySet fixed by a specification or tested recipeReported one source reports itTypical a general value, not sourced for this fermentUnconfirmed not yet checked against a source
At a glance
Morohaku was the clear sake of medieval Nara temples, named for using polished white rice both for the koji and for the steamed rice added to the mash. It was started with a lactic seed mash, built up in stages and pasteurised by heating, steps that became the core of later sake brewing. The steps here are a historical outline; the figures from modern practice are given as labelled facts, not as steps. Aspergillus oryzae (koji mould), grown on steamed rice, as in sake brewing today and Sake yeast, which makes the alcohol from the sugar the koji produces, as in sake brewing today do most of the fermenting.
The NRIB guide says earlier sake used polished rice only for the koji. Morohaku polished both the koji rice and the mash rice, and the Nara temples added a lactic seed mash, staged additions and heat pasteurisation.
Modern Nara bodaimoto, seed mash time
In a 2002 study of a bodaimoto made at a Nara brewery, the seed mash took six days. This is a modern figure, not a medieval one.
Modern Nara bodaimoto, acidity
In the Nara bodaimoto studied in 2002 the soaking water fell to pH 4 or below. This is a modern figure.
Modern Nara bodaimoto, alcohol
The finished modern bodaimoto seed mash had 8.9 % alcohol.
Kudarizake morohaku (Itami and Ikeda)In the 17th century, morohaku made near Osaka was shipped to Edo.
Safety
The seed mash is a lactic acid fermentation, and the NRIB guide says lactic acid inhibits microbial contamination while the yeast grows. In the Nara bodaimoto studied in 2002 the soaking water fell to pH 4 or below and the general bacterial count dropped. Heating the pressed sake at 60°–65°C (hi-ire) sterilises it and inactivates enzymes that would otherwise change its sweetness and aroma (NRIB, modern practice).
Hazards the sources name: Contaminating microbes in the open seed mash, held back by lactic acid (NRIB); in the modern Nara bodaimoto soaking water the lactic acid bacteria drove the pH below 4 and cut the general bacterial count.
The NRIB guide says that in the 12th to 15th centuries sake was brewed at shrines and temples, which developed the lactic seed mash, staged additions and morohaku. Diaries of Buddhist priests in the 15th and 16th centuries record hi-ire of morohaku, and 1,500 L vats let specialist brewers take over in the 16th century. Japanese Wikipedia says Shōryaku-ji in Nara perfected morohaku, three-stage mashing, bodaimoto and hi-ire in the Muromachi period, and Nakatani (2020) writes that it appears to have been a large sake works whose sake was shipped from a river port.